a clock ticks
0:03a music box swells
a pattern, held, repeating
anticipating, accepting
0:12the clock ticks again, and does not stop
the music box begins its piece after its warmup, this will be our melody for the remainder of the song
the song is hauntingly beautiful. this may be where i started to cry the second time i listened to this song.
3/4 time, that of a waltz; A Ionian, major key
0:36and enter left, our main character. some sort of glassy synth, with the quality of nails on chalkboard
it's quite polite to begin with, easing itself into the melody
0:51and then it starts scratching
1:00as the violas enter, it should be obvious now that this is a song about death.
but as i listened to it, i was fascinated by how effectively and how swiftly this song, without context, reduced me to tears.
but a clue lies in the strings, wherein these peaceful notes would normally contrast the noisy synth
1:25they instead harmonize with eachother
this is where i started to cry the first time i listened to this song
1:49the strings exit, leaving the noise and the music box, the clock is still ticking
2:01yet even as the noise evolves, it barely even notices the absence of the violins
2:13a cello arrives, providing a mature emotional foundation to the otherwise esoteric sound
the song stubbornly refuses to acknowledge its own dissonance
wherein it says its piece
2:43that perhaps there is no dissonance after all
the noise grows bolder at this point. it was so gentle to begin with, far from how it is now
death is inseperable from life, they swirl around eachother, bring about eachother, breathe through eachother
the noise is not reviled by the song, it's just another piece
it is inseperable from the rest
you have to accept it as a part of the song
3:02but it takes a pause for a moment, as violas enter again
to die means that you lived
to be mourned means that you were loved
3:26the music box stops. it won't ever start again
the strings do not last much longer
3:50and all that is left is the clock
even the noise is gone now
4:00death is still my greatest fear
4:10that's probably why my face is covered in tears by this point
4:14but not even time itself can last forever, and the ticking stops
4:20memento mori